Wednesday, December 31, 2014
Wednesday, December 17, 2014
Saturday, December 6, 2014
Wednesday, December 3, 2014
Tuesday, December 2, 2014
Saturday, November 29, 2014
Friday, November 21, 2014
Wednesday, November 19, 2014
Friday, November 14, 2014
Saturday, November 8, 2014
Sunday, November 2, 2014
Saturday, November 1, 2014
Saturday, October 25, 2014
Saturday, October 18, 2014
Wednesday, October 15, 2014
Tuesday, October 14, 2014
Tuesday, October 7, 2014
Saturday, October 4, 2014
Thursday, October 2, 2014
Monday, September 15, 2014
But what for Disney is profitable recycling is for Hollywood at large a challenge to the entirely-too-low standards of the blockbuster in the digital age.
Today the word “blockbuster” invokes visions of CGI-ridden films—Transformers, superhero movies, and the like—skating on brand recognition rather than on novel characters or storytelling. Which, in turn, makes Star Wars a particularly compelling touchstone. A big part of its appeal lay in how it created a scum-caked, tactile landscape of diverse planets and people. This was a franchise where the robots were humans encased in metallic costumes, not computer-generated death-machines that transform into Porsches. The speeders and snow-walkers and lightspeed-equipped ships all were models assembled by human hands, not digital rendering. It was a blockbuster with soul, in the sense that its most impressive effects had a direct line to an engineer, puppeteer, or actor.
So it’s fitting that Star Wars Episode VII’s marketing has been combining its commercialism with deeper cause, with the the @bad_robot Twitter account Ice Bucket-challenging storm trooper legions and sneaking peeks of fully-constructed X-Wing fighters (sprinkled with realistic-looking space-dust!) into videos for the UNICEF initiative “A Force for Change.”
The clearly metaphorical title is a convenient encapsulation of the new series, which appears to be leveraging blockbuster-reboot power to champion the original series’ values. Whether the old-school filmmaking techniques will indeed translate into more compelling story and characters remains to be seen—in an age without the infrastructure to support exclusively live-action filmmaking, Abrams and Johnson face an upward climb not unlike Lucas’s prequel-era digital quest. Conceivably, they may be spending too much time and energy on the DIY trimmings.
But at least it’s getting fans pumped for a return to the ................./-
Today the word “blockbuster” invokes visions of CGI-ridden films—Transformers, superhero movies, and the like—skating on brand recognition rather than on novel characters or storytelling. Which, in turn, makes Star Wars a particularly compelling touchstone. A big part of its appeal lay in how it created a scum-caked, tactile landscape of diverse planets and people. This was a franchise where the robots were humans encased in metallic costumes, not computer-generated death-machines that transform into Porsches. The speeders and snow-walkers and lightspeed-equipped ships all were models assembled by human hands, not digital rendering. It was a blockbuster with soul, in the sense that its most impressive effects had a direct line to an engineer, puppeteer, or actor.
So it’s fitting that Star Wars Episode VII’s marketing has been combining its commercialism with deeper cause, with the the @bad_robot Twitter account Ice Bucket-challenging storm trooper legions and sneaking peeks of fully-constructed X-Wing fighters (sprinkled with realistic-looking space-dust!) into videos for the UNICEF initiative “A Force for Change.”
The clearly metaphorical title is a convenient encapsulation of the new series, which appears to be leveraging blockbuster-reboot power to champion the original series’ values. Whether the old-school filmmaking techniques will indeed translate into more compelling story and characters remains to be seen—in an age without the infrastructure to support exclusively live-action filmmaking, Abrams and Johnson face an upward climb not unlike Lucas’s prequel-era digital quest. Conceivably, they may be spending too much time and energy on the DIY trimmings.
But at least it’s getting fans pumped for a return to the ................./-
But what for Disney is profitable recycling is for Hollywood at large a challenge to the entirely-too-low standards of the blockbuster in the digital age.
Today the word “blockbuster” invokes visions of CGI-ridden films—Transformers, superhero movies, and the like—skating on brand recognition rather than on novel characters or storytelling. Which, in turn, makes Star Wars a particularly compelling touchstone. A big part of its appeal lay in how it created a scum-caked, tactile landscape of diverse planets and people. This was a franchise where the robots were humans encased in metallic costumes, not computer-generated death-machines that transform into Porsches. The speeders and snow-walkers and lightspeed-equipped ships all were models assembled by human hands, not digital rendering. It was a blockbuster with soul, in the sense that its most impressive effects had a direct line to an engineer, puppeteer, or actor.
So it’s fitting that Star Wars Episode VII’s marketing has been combining its commercialism with deeper cause, with the the @bad_robot Twitter account Ice Bucket-challenging storm trooper legions and sneaking peeks of fully-constructed X-Wing fighters (sprinkled with realistic-looking space-dust!) into videos for the UNICEF initiative “A Force for Change.”
The clearly metaphorical title is a convenient encapsulation of the new series, which appears to be leveraging blockbuster-reboot power to champion the original series’ values. Whether the old-school filmmaking techniques will indeed translate into more compelling story and characters remains to be seen—in an age without the infrastructure to support exclusively live-action filmmaking, Abrams and Johnson face an upward climb not unlike Lucas’s prequel-era digital quest. Conceivably, they may be spending too much time and energy on the DIY trimmings.
But at least it’s getting fans pumped for a return to the ................./-
Today the word “blockbuster” invokes visions of CGI-ridden films—Transformers, superhero movies, and the like—skating on brand recognition rather than on novel characters or storytelling. Which, in turn, makes Star Wars a particularly compelling touchstone. A big part of its appeal lay in how it created a scum-caked, tactile landscape of diverse planets and people. This was a franchise where the robots were humans encased in metallic costumes, not computer-generated death-machines that transform into Porsches. The speeders and snow-walkers and lightspeed-equipped ships all were models assembled by human hands, not digital rendering. It was a blockbuster with soul, in the sense that its most impressive effects had a direct line to an engineer, puppeteer, or actor.
So it’s fitting that Star Wars Episode VII’s marketing has been combining its commercialism with deeper cause, with the the @bad_robot Twitter account Ice Bucket-challenging storm trooper legions and sneaking peeks of fully-constructed X-Wing fighters (sprinkled with realistic-looking space-dust!) into videos for the UNICEF initiative “A Force for Change.”
The clearly metaphorical title is a convenient encapsulation of the new series, which appears to be leveraging blockbuster-reboot power to champion the original series’ values. Whether the old-school filmmaking techniques will indeed translate into more compelling story and characters remains to be seen—in an age without the infrastructure to support exclusively live-action filmmaking, Abrams and Johnson face an upward climb not unlike Lucas’s prequel-era digital quest. Conceivably, they may be spending too much time and energy on the DIY trimmings.
But at least it’s getting fans pumped for a return to the ................./-
Saturday, August 23, 2014
Sunday, August 17, 2014
Monday, August 11, 2014
Sunday, August 3, 2014
Saturday, August 2, 2014
Friday, July 4, 2014
Saturday, June 28, 2014
Friday, June 27, 2014
Thursday, June 26, 2014
Wednesday, June 18, 2014
Friday, May 23, 2014
Friday, May 9, 2014
Tuesday, May 6, 2014
Sunday, May 4, 2014
Sunday, April 27, 2014
Friday, April 25, 2014
Saturday, April 19, 2014
Thursday, April 17, 2014
Sunday, April 13, 2014
Saturday, April 12, 2014
Wednesday, April 9, 2014
Tuesday, April 8, 2014
Wednesday, April 2, 2014
Sunday, March 30, 2014
US under fire at the UN for its human rights record
TRIUMPH over the disappointments is like surfing in the waves.
Saturday, March 29, 2014
Monday, March 24, 2014
Pope warns mobsters they risk going to hell - Yahoo News
.................... Dollhouse or Dreamhouse truly is about being INDEBTED ABSOLUTELY !
Saturday, March 22, 2014
02-06-2013: WHEN WILL WE BE FREE FROM GOVERNMENT INTERFERENCE?
==== FREEDOM KINGDOM as in ''virtual-reality'' REALISTICALLY.
Friday, March 21, 2014
The Fed Was Hopelessly 'Behind The Curve' During The Financial Crisis, New Transcripts Show
===== TRULY UNIQUE REALISTICALLY ; YES EVERYTHING as in ANYTHING, ...or NOTHING REALISTICALLY., .... PERSPECTIVE is an opinion, not a fact and EVERYTHING that we see is not the truth but is just a PERSPECTIVE. .... Spiritual Pulse Boosted is in Being much more ''selective'' in being Prepared plus READY to make safe plus speedy informed choices in order to tap into the forthcoming ECONOMIC Crisis is through shifting into a Higher GEAR of Fast FORWARD in the Expansion MODE ; ... NOT Many know of what is going on behind the scene, ... Good or Great in deed is with the updated plus upgraded NEW System will Potentially GET to know WHO Really will BENIFIT from the current GLOBAL CRISIS as in any crisis REALISTICALLY. Breakingviews: Tilting at the Herbalife 'pyramid' in China
MAXIMIZE the GAIN Plus Minimize the RISKS ; ...YES WHO Really BENEFITS from the CRISIS ?? ...MANAGE to CARE as in CONTROL in DEED ; DISAPPOINTED ? .... RULES & REGULATIONS are FINE, ...But do not BE FINED ; YES THE CHALLENGE as to Trials plus Tribulations ... YES IT IS FINE to REFINE Plus DEFINE ; ...
OBVIOUSLY, THE CHALLENGE as to Trials plus Tribulations ...NO NEED TO EXPECT, SIMPLY JUST ACCEPT.
=== WHEN to CHANGE as in Swap, Shift or SHAKE ... for the CREATIONISTS.
====== BE UNIQUE
OBVIOUSLY, THE CHALLENGE as to Trials plus Tribulations ...NO NEED TO EXPECT, SIMPLY JUST ACCEPT.
=== WHEN to CHANGE as in Swap, Shift or SHAKE ... for the CREATIONISTS.
====== BE UNIQUEEverything Wrong With Prometheus In 4 Minutes Or Less
====THE CHALLENGE as to Trials plus Tribulations ... YES IT IS FINE to REFINE Plus DEFINE ; ...Thursday, March 20, 2014
Global financial CRISIS: Who's BENEFIT? (+playlist)
==== YES WHO REALLY BENIFITS from the GLOBAL CRISIS.Sunday, March 16, 2014
Pope Francis prays for passengers, crew on board missing flight MH370 - MSN Malaysia News
Pope Francis prays for passengers, crew on board missing flight MH370 - MSN Malaysia News: “I invite you to remember in prayer the passengers and crew of the Malaysia airline, and for their families. We are close to them in this difficult moment”, the Pope was quoted as saying.
Chomsky explains who U.S. leaders work for and what they have done.
YES EVERYTHING as in ANYTHING, ...or NOTHING REALISTICALLY., .... PERSPECTIVE is an opinion, not a fact and EVERYTHING that we see is not the truth but is PERSPECTIVE.
Saturday, March 15, 2014
Friday, March 14, 2014
Americans say US Congress is worst ever: poll - Yahoo News
YES NO Matter whatever, REALLY ; ONENESS is UNIQUE.
3 signs Mark Zuckerberg is crazy- MSN Money
YES ONE must SPECIFY, .... Obviously is to DEFINE in Great ASTOUNDING Detail just like the Devil does it ''truly'' is REALLY in getting a ''fine'' PICTURE Defined Naturally plus SPECIFICALLY plus OBLIVIOUSLY.
Thursday, March 13, 2014
Saturday, March 8, 2014
(Official Movie) THRIVE: What On Earth Will It Take?
EXPOSE Practice makes PERFECT..... is THE ''need'' of ASSURANCE Plus REASSURANCE within SUPPORTED truly ''gives'' CONFIDENCE REALISTICALLY.Friday, March 7, 2014
Thursday, March 6, 2014
THINGS OF THE SCRIPTURE AND THE RAPTURE PART 7 OF 7
THINGS OF THE SCRIPTURE AND THE RAPTURE PART 7 OF 7
